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<\/figure>\n“When civilization is dust and ashes,” he said,
“art is all that’s left over.”<\/p>\nMargaret Atwood, Oryx and Crake<\/cite><\/blockquote>\n\n\n\nMijn naam is Audrey Boivin en ik ben kunsthistoricus en restaurator van schilderijen, opgeleid aan de Universiteit van Gent en de Universiteit van Amsterdam. Tijdens mijn studie in Gent verdiepte ik mij in de rijke verhalen van de kunstgeschiedenis, wat mij een diepgaand begrip gaf van de ontwikkeling en culturele betekenis van kunst. Gedreven door mijn passie specialiseerde ik mij vervolgens in het restaureren van schilderijen aan de Universiteit van Amsterdam, waar ik mijn historische kennis combineerde met praktische restauratievaardigheden. <\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n\n\n\n\nOpleidingen<\/h2>\n\n\n\n
<\/div>\n\n\n\nAdvanced Professional Programme in de Conservatie en Restauratie van Cultureel Erfgoed \u2013 Schilderijen<\/strong><\/strong><\/p>\n\n\n\n
Universiteit van Amsterdam<\/p>\n\n\n\n
<\/div>\n\n\n\nMaster in Conservatie en Restauratie van Cultureel Erfgoed \u2013 Schilderijen<\/strong><\/p>\n\n\n\n
Universiteit van Amsterdam<\/p>\n\n\n\n
<\/div>\n\n\n\nMaster in de Kunstwetenschappen<\/strong><\/p>\n\n\n\n
Universiteit Gent (Magna Cum Laude)<\/p>\n\n\n\n
<\/div>\n\n\n\nBachelor in de Kunstwetenschappen<\/strong><\/p>\n\n\n\n
Universiteit Gent<\/p>\n\n\n\n
<\/div>\n\n\n\nBeeldende en Architecturale Kunsten <\/strong><\/p>\n\n\n\n
Sint-Lucas Kunsthumaniora Gent<\/p>\n\n\n\n
<\/div>\n\n\n\nBijkomende accreditatie<\/strong><\/p>\n\n\n\n
Agent voor de Stralingsbescherming, X-Ray<\/p>\n\n\n\n
<\/div>\n\n\n\nWorkshops:<\/strong><\/p>\n\n\n\n
\n
- Reinigen van kunstoppervlakken door Paolo Cremonesi<\/strong><\/li>\n\n\n\n
- Mist-lining door Restauratieatelier Antwerpen<\/strong><\/li>\n\n\n\n
- Moderne relining-technieken door Marie Noelle-Laurent<\/strong><\/li>\n\n\n\n
- Was-hars lining-techniek door Michel van de Laar<\/strong><\/li>\n\n\n\n
- Moderne vernissen voor schilderijen door Kate Seymour<\/strong><\/li>\n\n\n\n
- De remedi\u00ebrende behandeling van paneelschilderijen door Luuk Hoogstede<\/strong><\/li>\n\n\n\n
- Scheurherstel draad-voor-draad door Petra Demuth<\/strong><\/li>\n\n\n\n
- Traditionele en elastische methoden voor het opspannen van schilderijen door Antonio Iaccarino Idelson<\/strong><\/li>\n\n\n\n
- Mechanisch gedrag van schilderijen op doek door Cecilia Gauvin<\/strong><\/li>\n\n\n\n
- Kleurtheorie en -waarneming door Paul Versteeg<\/strong><\/li>\n\n\n\n
- Achterpanelen en beschermingssystemen voor de achterzijde van doeken door UvA<\/strong> by UvA<\/li>\n\n\n\n
- Inlijsten en omkasting door Ingrid Hopfner<\/strong><\/li>\n<\/ul>\n<\/div>\n\n\n\n
\nErvaring<\/h2>\n\n\n\n
<\/div>\n\n\n\nStage, Musea Brugge<\/strong><\/p>\n\n\n\n
Apr 2026 – Aug 2026<\/p>\n\n\n\n
\n
- Behandeling en technisch onderzoek van het schilderij 'Het Dronkenschap van Noach' van Frans Pourbus (I), in samenwerking met Sofia Hennen.<\/li>\n\n\n\n
- Diepgaand technisch onderzoek naar schilderijen in het Sint-Jans Hospitaal in functie van het IOHANNES project (KIK-IRPA & UCLouvain).<\/li>\n\n\n\n
- Medewerking in de collectieverhuis van het Groeningen Museum (conditiechecks, consolidatie, afstoffen, inpakken, ...). <\/li>\n<\/ul>\n\n\n\n
Stage, Koninklijk Museum voor Schone Kunsten Antwerpen<\/strong><\/p>\n\n\n\n
Jan 2026 – Mar 2026<\/p>\n\n\n\n
\n
- Behandeling van het schilderij 'Krab' van Walter Vaes <\/li>\n\n\n\n
- Onderzoek naar metaalzeep formatie en de behandeling van schilderijen met metaalzepen.<\/li>\n<\/ul>\n\n\n\n
Researcher, Universiteit Gent<\/strong><\/p>\n\n\n\n
Aug 2024 - Aug 2025<\/p>\n\n\n\n
\n
- Project: A New Connoisseurship: Smart ways to detect forgeries.<\/li>\n\n\n\n
- Onderzoek naar de detectie van vervalsingen aan de hand van craquel\u00e9-analyse.<\/li>\n<\/ul>\n\n\n\n
Trainee Restaurator-Conservator
Rijksdienst voor het Cultureel Erfgoed<\/strong> (RCE), Amersfoort<\/p>\n\n\n\nSep 2023- Jun 2024<\/p>\n\n\n\n
\n
- Stage in het kader van het Geavanceerd Professioneel Programma Conservatie en Restauratie van Cultureel Erfgoed (Schilderijen) aan de Universiteit van Amsterdam.<\/li>\n\n\n\n
- Restauratie- en conserveringsbehandelingen op diverse schilderijen.<\/li>\n<\/ul>\n\n\n\n
Vrijwillig Assistent, Amsterdam Wax-Resin Project
<\/strong>Universiteit van Amsterdam, Amsterdam<\/p>\n\n\n\nJul 2022<\/p>\n\n\n\n
\n
- Meegewerkt aan de ontwikkeling van een onderzoeksdatabase voor het opslaan en ordenen van data uit het onderzoeksproject.<\/li>\n\n\n\n
- Kleurmetingen uitgevoerd.<\/li>\n\n\n\n
- Theoretische en praktische kennis opgedaan over de was-hars lining-techniek.<\/li>\n<\/ul>\n\n\n\n
Trainee Restaurator-Conservator
<\/strong>Restauratieatelier Sara Dewilde, Mechelen<\/p>\n\n\n\nFeb 2021 – Jun 2021<\/p>\n\n\n\n
\n
- Ondersteund bij het reinigen, retoucheren en vernissen van schilderijen en hun lijsten.<\/li>\n<\/ul>\n\n\n\n
Stage
<\/strong>Ghent Interdisciplinary Centre of Art and Science, Ghent<\/p>\n\n\n\nFeb 2019 – May 2019<\/p>\n\n\n\n
\n
- Stage in het kader van de bacheloropleiding Kunstwetenschappen aan de Universiteit Gent. <\/li>\n\n\n\n
- Een bibliotheekdatabase ontwikkeld voor het opslaan en ordenen van gegevens.<\/li>\n\n\n\n
- Kunsttechnologisch onderzoek en beeldvorming uitgevoerd (VIS, IR, r\u00f6ntgen), wat resulteerde in een rapport over de geschiedenis en de conditie van een 15e-eeuws drieluik.<\/li>\n<\/ul>\n\n\n\n
<\/div>\n<\/div>\n<\/div>\n\n\n\n<\/div>\n\n\n\nBijgewoonde congressen<\/h2>\n\n\n\n
\n
- European Researchers’ Night – Conservation Restoration of Cultural Heritage (webinar)
2025<\/li>\n\n\n\n- Picture Meeting (als spreker)
RCE, Amersfoort, 202<\/em>5<\/li>\n\n\n\n- Forging alliances: combatting art crime with public-private partnerships
GRACE, Ghent 202<\/em>4<\/li>\n\n\n\n- Customer and Object Due Diligence: Managing Risk and Criminal Liability (webinar)
Art Loss Register<\/em>, 2024<\/li>\n\n\n\n- Picture Meeting
RCE, Amersfoort, 2024<\/em><\/li>\n\n\n\n- State of the Art Crime
GRACE, Ghent 2023<\/em><\/li>\n\n\n\n- FAKE, False and Real in Museums, Culture and Society
ICOM, Brussels 2023<\/em><\/li>\n\n\n\n- Testing the Waters – The Seventh International Institute of Conservation’s Student and Emerging Conservator Conference
ICC-SECC, Amsterdam 2023<\/em><\/li>\n\n\n\n- Working Towards a Sustainable Past – 20th Triennial Conference
ICOM-CC , Valencia 2023<\/em><\/li>\n\n\n\n- Picture Meeting
RCE, Amersfoort, 2023<\/em><\/li>\n\n\n\n- Vermeer Symposium
Rijksmuseum, Amsterdam 2023<\/em><\/li>\n\n\n\n- ConNext Student Conference
University of Antwerp & University of Amsterdam <\/em>2022<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<\/div>","protected":false},"excerpt":{"rendered":"professional painting conservator and art historian, specialising in the conservation and restoration of fine art paintings. professionele restaurator van schilderijen en kunsthistoricus, gespecialiseerd in conservering en restauratie van schilderijen. About me “When civilization is dust and ashes,” he said, “art is all that’s left over.” My name is Audrey Boivin, I am an art historian […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-32","page","type-page","status-publish","hentry"],"yoast_head":"\n
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