{"id":36,"date":"2023-11-26T22:04:46","date_gmt":"2023-11-26T22:04:46","guid":{"rendered":"https:\/\/audreyboivin.art\/?page_id=36"},"modified":"2026-02-13T12:53:23","modified_gmt":"2026-02-13T12:53:23","slug":"cv","status":"publish","type":"page","link":"https:\/\/audreyboivin.art\/nl\/cv\/","title":{"rendered":"Onderzoek"},"content":{"rendered":"

professional painting conservator and art historian, specialising in the conservation and restoration of fine art paintings. professionele restaurator van schilderijen en kunsthistoricus, gespecialiseerd in conservering en restauratie van schilderijen. <\/p>\n\n\n\n

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PgD Thesis: From Fibre to Surface – Microscopic Assessment of Cotton-Induced Alterations on Paint Mock-Ups<\/p>\n\n\n\n


(Supervisor: prof. dr. Klaas Jan van den Berg)<\/strong><\/p>\n\n\n\n

Dit onderzoek introduceert een zeer reproduceerbare experimentele workflow, ontworpen om de mechanische interacties tussen wattenstaafjes en verflagen te isoleren en te kwantificeren. Centraal in deze methodologie staat een speciaal gebouwde reciproke lineaire actuator die de belangrijkste reinigingsparameters, waaronder druk, snelheid en het aantal bewegingen, standaardiseert. Hiermee worden de inconsistenties van menselijke variabiliteit ge\u00eblimineerd. Om de microscopische oppervlakte-effecten van verschillende vezeltypen en solventen te evalueren, is een strikt analytisch kader ge\u00efmplementeerd met behulp van HIROX 3D-microscopie en Scanning Elektronenmicroscopie (SEM-SE). Door gebruik te maken van deze geautomatiseerde, multi-modale aanpak biedt de studie een consistente en objectieve basis voor het onderzoek naar oppervlakteveranderingen die door reiniging worden veroorzaakt.<\/p>\n<\/div><\/div>\n\n\n\n

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Master Thesis: Cracking the Case \u2013 The Possibilities of Support Identification Through the Language of Craquelure<\/strong><\/p>\n\n\n\n


(Supervisors: dr. Emilie Froment & prof. dr. Robert Erdmann)<\/strong><\/p>\n\n\n\n

Deze masterproef ontwikkelt een toolkit voor het analyseren van craquel\u00e9patronen in schilderijen, met als doel het (mogelijk) identificeren van een verborgen of verloren drager, met specifieke aandacht voor transfers van paneel naar doek. De toolkit omvat een evaluatielijst, richtlijnen voor beeldvorming, technieken voor het extraheren van barstpatronen, het in kaart brengen van hoeken en afstanden tussen de craquelures, en de karakterisering van kruispunten.\n\nToegepast op een selectie van schilderijen van Jan van Eyck biedt deze toolkit nieuwe inzichten in craquel\u00e9-analyse, daagt ze aannames over \u2018typische\u2019 barstpatronen uit en benadrukt ze het potentieel om veranderingen aan het schilderij en historische ingrepen op te sporen.<\/p>\n\n\n\n

https:\/\/scripties.uba.uva.nl\/search?id=c9173477<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Master Thesis: Van Uitzicht tot Inzicht \u2013 Restauratie en Conservatie in Belgi\u00eb ca. 1880 tot 1920<\/strong> <\/p>\n\n\n\n


(Supervisor: prof. dr. Maximiliaan Martens)<\/strong><\/p>\n\n\n\n

Deze thesis onderzoekt de schilderijenrestauratie in Belgi\u00eb in de periode van 1880 tot 1920, een tijdvak dat een keerpunt vormt in het vakgebied. Enerzijds zien we de voortzetting van 18e-eeuwse tradities, anderzijds dringt de invloed van de 19e-eeuwse industrialisatie steeds meer door in de conservering en restauratie. Het onderzoek verkent hoe deze \u2018verwetenschappelijking\u2019 zich voltrok, aan de hand van contemporaine publicaties en archiefmateriaal uit diverse musea.\n\nDaarnaast beoogt deze studie de 19e-eeuwse restauratoren uit de schaduw van de geschiedenis te halen. Wie waren deze mensen die verantwoordelijk waren voor het behoud van ons kunstpatrimonium? Welke methoden pasten zij toe? En hoe keek het brede publiek destijds naar hun werk?<\/p>\n\n\n\n

https:\/\/www.scriptieprijs.be\/scriptie\/2020\/van-uitzicht-tot-inzicht-restauratie-en-conservatie-belgie-ca-1880-tot-1920<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

professional painting conservator and art historian, specialising in the conservation and restoration of fine art paintings. professionele restaurator van schilderijen en kunsthistoricus, gespecialiseerd in conservering en restauratie van schilderijen. PgD Thesis: From Fibre to Surface – Microscopic Assessment of Cotton-Induced Alterations on Paint Mock-Ups (Supervisor: prof. dr. Klaas Jan van den Berg) This research establishes […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"yoast_head":"\nResearch - Audrey Boivin Art History and Conservation Research<\/title>\n<meta name=\"description\" content=\"Audrey Boivin is een internationaal opgeleide professionele restaurator van schilderijen en kunsthistoricus. - Audrey Boivin is an internationally trained professional painting conservator and art historian.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audreyboivin.art\/nl\/cv\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Research - Audrey Boivin Art History and Conservation Research\" \/>\n<meta property=\"og:description\" content=\"Audrey Boivin is een internationaal opgeleide professionele restaurator van schilderijen en kunsthistoricus. - 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